Alexander Hill
OH, OH, OH, I'M LIGHTNING!
February, 2020
Season One
R and R, Leave of Absence, Day of Rest
magazine page, sunglasses, Palo Santo
Big White Cloud
shoe box, sleep mask
The Performer
oil on drywall in wooden frame
The Regulator
cardboard, plaster, acrylic, hardware
Naomi Nadreau
IN THE MARGINS
March, 2020
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Untitled (Negative of a Future)
highlighter and plaster
Untitled (Negative of a Future)
highlighter and plaster
Infinite Sequences of Arrival
sifted dirt, mixed materials, LED grow lights, highlighter, paint, salt, plaster
Infinite Sequences of Arrival (detail)
sifted dirt, mixed materials, LED grow lights, highlighter, paint, salt, plaster
Stacey Alexander
FREQUENCY: CONSTANT
February, 2021
Nap More
paper, ink, pencil, string wood
Installation View
Kamala Won't Be The Last / Plumbers Are For Suckers
Plumbers Are For Suckers
Performance: video projection, tape
Kamala Won't Be The Last
Watercolor, graphite, ink
Garen Novruzyan
MESSY
April, 2021
Staring at the stars while the bombs kept falling
cardboard, black carbon, linen, hydrangea petals, beeswax, damar resin, and tengucho 9g paper
Staring at the stars while the bombs kept falling
(detail)
Anahit
flower petals, beeswax, damar resin, linen, tengucho 9g paper, light-blue stone on Fear of God Essentials packaging
Decayed Wall off of Kingsley Dr, VIII (For Jack Whitten)
flower petals, paper, black carbon, tengucho 9g paper, on birch
lumber (detail)
The Power of Ritual (detail)
Tengucho 9g paper, beeswax, damar resin, and flower petals
Tirsa Delate
A Momentary Recollection of Perpetual Bliss
March, 2022
A Momentary Recollection of Perpetual Bliss
(video stills from the two-channel video installation)